This is Raul de Souza – Til Tomorrow Comes (1979), for Capitol, the third out of three albums released by Raulzinho at Capitol, following the acclaimed Sweet Lucy and Don’t Ask My Neighbors, both produced by George Duke and also never released in CD. Actually, George Duke’s production is what differs Til Tomorrow Comes, produced by Arthur Wright, which is probably responsible for this first and only Raul de Souza disco music experience. Personnel listing features only American musicians with a single and very important exception, Maestro Moacir Santos playing sax with no individual track credits. Tracks include:
Personnel
James Gadson, Edward Greene
(drums)
David T. Walker, Greg Poree, Arthur Wright
(guitar)
Greg Phillingaines, Alan Oldfield
(keyboards)
Alan Oldfield
(synthesizers)
Clarence "Butch" Robinson, Eddie "Bongo" Brown
(congas, bongos)
Raul de Souza
(trombone, percussion)
Willian Green, Ernie Fields, Moacir Santos
(sax)
Leslie Dreayton, Bobby Bryant Sr.
(trumpet)
Maurice Spears, Donald Cooke, Lou McCreary
(trombone)
Bonita Wilson, Lynn B. Davis, Oneida James, Marie Jones
(backing vocals)
James Gadson, Edward Greene
(drums)
David T. Walker, Greg Poree, Arthur Wright
(guitar)
Greg Phillingaines, Alan Oldfield
(keyboards)
Alan Oldfield
(synthesizers)
Clarence "Butch" Robinson, Eddie "Bongo" Brown
(congas, bongos)
Raul de Souza
(trombone, percussion)
Willian Green, Ernie Fields, Moacir Santos
(sax)
Leslie Dreayton, Bobby Bryant Sr.
(trumpet)
Maurice Spears, Donald Cooke, Lou McCreary
(trombone)
Bonita Wilson, Lynn B. Davis, Oneida James, Marie Jones
(backing vocals)
Track List
01 - Til Tomorrow Comes (B. Nakagawa / Arthur Wright)
02 - Only When You Can (Arthur Wright)
03 - Fe-no-me-nol (Arthur Wright)
04 - Pleasurize (G. Know / Arthur Wright)
05 - Up And At It (Raul de Souza / Arthur Wright)
06 - Everybody's Got To Dance To The Music (Arthur Wright)
07 - Self Sealing (Arthur Wright)
08 - Boogie Shoes (Arthur Wright)
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ReplyDeleteHey Zeca,
ReplyDeleteAnother cover with a parrot, you forgot to mention that :-))))
Cheers, all the best !
I went mp3. By the first few strong notes of trombone on the title track, I knew I'd be coming back for the FLAC.
ReplyDeleteIt's hard for all of the tracks to make an impact in this context (in my view), but I'm sure at least one or two are going to keepers.
Thanks, and compliments to Raul's dentist.