Noriel Vilela - Eis o Ome (1968)

Refer, one of the powerful Loronix friends, sent me an email a couple of weeks ago with a very useful clarification about Samba Rock. "Samba Rock is not a musical genre, it is only a way of dancing any kind of music with swing (Balanco). period.

On top of this, Refer gave me a very useful link for anyone who might be interested on understanding a little bit more about Samba Rock, the website of Clube do Balanco at http://clubedobalanco.uol.com.br. There is an English version that you should try. Take a look at the video section and watch a Samba Rock documentary and a nice dancing tutorial.

This is the only record released by one of the Brazilian Samba Rock legends, Noriel Vilela - Eis o Ome (1968). Noriel was member of the Samba vocal group Cantores de Ebano. After releasing this record, Noriel has passed, for reasons that zecalouro could not check. This is a cool LP that zecalouro bets that any Loronixer will have a guaranteed entertainment. Tracks include:

01 - Promessado (Carlos Pedro)
02 - Saravando Xangô (Avarese / Edenal Rodrigues)
03 - Só o Ôme (Edenal Rodrigues)
04 - Meu Caboclo Não Deixa (Avarese / Edenal Rodrigues)
05 - Pra Iemanjá Levar (Delcio Carvalho)
06 - Samba das Águas (Josan de Mattos)
07 - Eu Tá Vendo no Copo (Avarese / Edenal Rodrigues)
08 - Acredito Sim (Avarese / Edenal Rodrigues)
09 - Peço Licença (Avarese)
10 - Cacundê Cacundá (José de Souza / Orlando)
11 - Acocha Malungo (Sydney Martins)
12 - Saudosa Bahia (Noriel Vilela / Sydney Martins)

Mauricio Einhorn - Jugando en Buenos Aires (1985)

The Brazilian composer and harmonica player Mauricio Einhorn holding a gun and surrounded by some bad guys. Do not worry, there is nothing wrong, Mauricio is just taking a picture with his great Argentinean Jazz musician friends for the album Mauricio Einhorn - Jugando en Buenos Aires (1985).

If you are a harmonica fan, enjoyed the first Einhorn release at Loronix and wants to check a nice instrumental Jazz experience with these nice Argentinean Jazz players, this is the LP to look for. Personnel: Mauricio Einhorn (harmonica), Litto Nebia (guitar, keyboard and voice), Roberto Fats Fernandez (trumpet - flugelhorn), Cesar Franov (electric bass), Norberto Minichillo (drums), Cacho Tejera (percussion), Oscar Feldman (alto sax), Manolo Yanes (Synthesizers) and Daniel Homer (guitar). Tracks include:

01 - Matices para Mauricio (Nebbia)
02 - Mirandinha (Einhorn)
03 - Si no son más de las tres(El Bohemio)(Nebbia)
04 - Verano(State) (Martino-Brighetti) versión cast: Nebbia
05 - Más allá de Palermo (Nebbia)
06 - Corcovado (Jobim)
07 - Más allá de Palermo (Nebbia)
08 - Uno (Mores-Discepolo)

Special Post: Tuca

Sometimes zecalouro receives email from relatives of the artists that are here at Loronix, specially the forgotten ones. All these messages are great, sometimes zecalouro even receives messages with statements like: "congratulations for recover the memory of my father to the world" or "He is really happy to hear this LP again, which was considered lost..." etc.

But this one was different, since zecalouro has authorization to make available the entire content. This message was from Tuca's nephew, which is a Loronix friend that zecalouro would like to thanks a lot for sharing his personal thoughts about his relative with all the Loronix community.

zealouro will not translate his writing to English, if any Loronix friend with better translating capabilities can do it for us, I will appreciate a lot. Let's hear what he says:

"Prezado Zeca,

Dei uma olhada no Loronix e seus comentários sobre minha tia Tuca.

Sim, ela é a falecida irmã (apenas por parte de pai) de minha mãe Maria Helena Moraes da Silva (nome de solteira), hoje com 69 anos.

Tuca cujo nome completo e correto é Valeniza Zagni da Silva, filha da madastra de minha mãe, esta por sua vez a segunda esposa do meu avô Valentim Ignácio da Silva, médico e farmacêutico famoso no interior de São Paulo (famoso naquela época, naturalmente). Chegou uma vez a candidatar-se a vereador, mas seus votos foram roubados pelo famoso político profissional Ademar de Barros (roubo mas faço, lembra?).

Minha avó faleceu quando minha mãe tinha apenas 6 meses, e não muito tempo depois meu avó casou-se novamente e alguns anos depois sua segunda esposa teve a Valeniza-Tuca. Minha mãe e ela sempre se deram muito bem no período que foram criadas juntas pela mãe/madrasta..

Infelizmente, minha tia Tuca era obesa e muito criticada nesse aspecto por falsas amigas e amigos. Isso acabou por criar graves disturbios emocionais e psicológicos nela, o que a levou a fazer um regime super rigoroso e sem acompanhamento médico, que a levou a morte por inanição, conforme inclusive noticiado na época pelos jornais e revistas. Uma pena, pois ela era um ser humano muito bom e boa cantora.

As informações citadas podem ser divulgadas se assim desejar, caso ache interessantes.

Um abraço,"

Sonia Rosa meets Sadao Watanabe - Sensitive Sound of Sonia Rosa (1970)

Do you remember Sonia Rosa? For the late comers, Sonia Rosa is a nice Brazilian singer that released Sonia Rosa - A Bossa Rosa de Sonia Rosa (1968) and mysteriously left Brazil to live in Japan and never returned.

zecalouro spread his wings and flew to Japan just to get this new Sonia Rosa release, Sonia Rosa - Sensitive Sound of Sonia Rosa (1970) for the Japanese label Express.

Here, Sonia has the great help of Sadao Watanabe Quartet on a another nice record. Tracks include:

01 - The Girl From Ipanema (Tom Jobim / Vinicius de Moraes / Vrs. Norman Gimbel)
02 - Fly Me To The Moon (B. Howard)
03 - Desafinado (Tom Jobim / Newton Mendonça)
04 - The Look Of Love (Burt Bacharach / H. David)
05 - Meditation (Meditação) (Tom Jobim / Newton Mendonça / Vrs. Norman Gimbel)
06 - Corcovado (Tom Jobim)
07 - I'll Never Fall In Love Again (Burt Bacharach / H. David)
08 - The Shadow Of Your Smile (J. Mandel / Paul Francis Webster)
09 - La Chanson D'orphee (Luis Bonfá / Antônio Maria)
10 - Alfie (Burt Bacharach / H. David)
11 - Secret Love (S. Fain / Paul Francis Webster)
12 - Tristeza (Haroldo Lobo / Niltinho Tristeza)

zecalouro Agenda: Interview for Radio Bandeirantes

Tomorrow, Sat, 16th, zecalouro will be giving an live interview for Radio Bandeirantes, Sao Paulo at 10:00am [UTC -03:00] Sao Paulo.

If you live in Sao Paulo, Radio Bandeirantes is AM 840 and FM 90.9. Loronixers outside Sao Paulo can reach Radio Bandeirantes via Internet at http://radiobandeirantes.terra.com.br. Being there, it is enough to click at the word Ouça Agora.

For those who miss or want to repeat the first broadcast, there will be another chance - same day of the first show - at 09:00pm.

See you there, it will be fun!

Hope uEnjoy!

Os 3 Morais - Os 3 Morais (1967)

Very nice. That's what several Loronixers were waiting for. Os 3 Morais - Os 3 Morais (1967), the debut LP of this cult Brazilian vocal group. Three brothers, Jane Espitito Santo, Sidney Espirito Santo and Roberto Espirito Santo, that took their mother maiden's name to name the group. AMG Bio is provided. Tracks include:

01 - Só Eu e Você (There's a Kind Of Hush) (L. Reed / G. Stephens / Vrs. Lilian Knapp)
02 - Call Me (T. Hatch / Vrs. Sidney Morais)
03 - A Turma (Tell The Boys) (P. Callander / M. Murray / Vrs. Sidney Morais)
04 - Um Homem e Uma Mulher (Un Homme Et Une Femme) (F. Lai / P. Barouh / Vrs. Luis Guedes)
05 - O Que Te Faz Sonhar (What Makes You Dream Pretty Girl ) (M. Garson / J. Wilson / Vrs. Lilian Knapp)
06 - O Recruta (Sidney Morais)
07 - Moonglow (W. Hudson / E. de Lange / I. Mills / Vrs. Sidney Morais)
08 - Estou Feliz (Puppet On a String) (B. Martin / P. Coucter / Vrs. Lilian Knapp)
09 - Folhas Verdes (Green Grass) (R. Greenaway / R. Cook / Vrs. Sidney Morais)
10 - Lá Muito Além (Five Hundred Miles) (H. West / Vrs. Maria Julia)
11 - Sunny (B. Hebb / Vrs. Lilian Knapp)
12 - Tiara Vermelha (Scarlet Ribbons) (E. Danzig / J. Segal / Vrs. Sidney Morais)

Formed in 1963 by the siblings Jane Vicentino do Espírito Santo, Sidney do Espírito Santo, and Roberto do Espírito Santo, each having individually performed in several groups and orchestras until then, Os Três Morais (Morais being their mother's maiden name), influenced by the Swingle Singers, recorded "Sambachiana" (Ely Arcoverde) and gradually incorporated popular music into their previously semi-classical repertory. The trio participated in important bossa nova TV shows like the Bo-64 and O Fino da Bossa (TV Record) and recorded three LPs with that formation until 1970, when Jane married Herondy Bueno, leaving the trio to form with him the duo Jane e Herondy, having been replaced by Vera Lúcia (ex-Alpha Centauri). With the new formation, the group recorded an LP with classics like "As Pastorinhas" (João de Barro/Noel Rosa). In 1997, the trio performed with the original formation in the show Parabéns Música Popular Brasileira at the Baiúca club (São Paulo). While Jane participated in Chico Buarque's Chico Buarque de Hollanda interpreting "Com Açúcar, Com Afeto" (Buarque), later recording the song alone, Sidney, who had been a member of the Garotos Vocalistas (1948), Os Quatro Amigos (1950), and Conjunto Farroupilha (1958) had success with "Além" (with Edson Borges), which was recorded several times by different artists.

Evinha - Cartao Postal (1971)

The first Evinha LP at Loronix is making a nice career at Loronix, being much more requested then others available at the same time. zecalouro is bringing back Evinha, now with an LP considered by many as her best release.

This is Evinha - Cartao Postal (1971), with arrangements by Geraldo Vespar and Orlando Silveira. If it is not the best, for sure is one of her finest with songs composed by Abilio Manoel, Marcos Valle, Beto Guedes, Roberto Carlos, among others. Tracks include:

01 - Que Bandeira (Marcos Valle / Paulo Sergio Valle / Mariozinho Rocha)
02 - Feira Moderna (Beto Guedes / Fernando Brant)
03 - Cartão Postal (Renato Correia / Guarabyra)
04 - Olha o Futuro (Arnoldo Medeiros)
05 - De Tanto Amor (Roberto Carlos / Erasmo Carlos)
06 - Esperar Pra Ver (Renato Correia / Guarabyra)
07 - Tema de Adão (Taiguara)
08 - Só Quero (Dal / Tom / Lilito)
09 - Rico Sem Dinheiro (Abílio Manoel)
10 - Encontro (Jacks Wu / Adour)
11 - Por Mera Coincidência (Getúlio Cortes)
12 - Onze e Quinze (Eduardo Souto Neto / Geraldo Carneiro)

Dalva Barbosa - É Samba (1962)

zecalouro received this LP a couple of weeks ago from the same mysterious Loronixer who gave us the wonderful new copy of Simonetti e Orquestra. Since then, zecalouro has been looking at this beautiful cover and listening to music before finding an ideal slot for Dalva Barbosa.

That's the time to introduce this nice LP from a really forgoteen - at least to zecalouro research extent - Brazilian singer, Dalva Barbosa - É Samba (1962). The personnel is not credited and the LP has that extravagant orchestral arrangements from the late 50's, bringing a wonderful atmosphere to Dalva's singing. Tracks include compositions from Joao Roberto Kelly, Wilson Batista, among others:

01 - Só Vale a Pena (João Roberto Kelly)
02 - Skindô (Wilson Batista / Luis Wanderley)
03 - Lama no Asfalto (Jota Júnior)
04 - Coisa Pouca (Ramalho Neto / Aldacir Louro)
05 - Gosto de Gente Que Samba (Erasmo Silva / William Duba)
06 - Gamação (João Roberto Kelly)
07 - Piada (João Roberto Kelly)
08 - Teleco-teco Nº 6 (J. Smera / Paulo Gesta)
09 - Samba de Branco (Leila Victor)
10 - Adeus Meu Amor (Haroldo Eiras / Victor Berbara)
11 - Tristeza Nunca Mais (José Toledo)
12 - Dilema (Aldacir Louro / Linda Rodrigues / Paulinho)

Marilia Barbosa - Filme Nacional (1978)

Marilia Barbosa is a Brazilian singer and actress that released a few solo LP and made several participations on TV Globo's soup operas soundtracks. zecalouro presents her first and aclaimmed album, Filme Nacional (1978), arranged by Egberto Gismonti, Gutto Graca Mello and Lincoln Olivetti.

This record is a recommendation of a very Loronix friend that I invite you to try. Tracks include:

01 - Manifesto (Mariozinho Rocha / Guto Graça Melo)
02 - Minh'alma (Dom Beto / Reina)
03 - Melodia Inacabada (Rita Lee)
04 - Como Um Sonho (Dom Beto)
05 - Filme Nacional (Márcio Proença)
06 - Olha (Roberto Carlos / Erasmo Carlos)
07 - Antes Que Aconteça (Renato Teixeira)
08 - Total Abandono (Djavan)
09 - Estória de Cantador (Djavan)
10 - Pour Pablito (João Mello / Dito)
11 - Coração de Candango (Egberto Gismonti / João Carlos Pádua)

Zimbo Trio - Trocando em Miudos A Tristeza do Jeca (1983)

zecalouro is surprised with the excitement around the last Zimbo Trio LP with the US Jazzman Sonny Stitt. Many new Loronixers have been dragged by that LP and being here since then as very loyal friends. Thanks to Jazzseen friends.

I'm curious to see what happens now with Zimbo Trio - Trocando em Miudos A Tristeza do Jeca (1983). On this LP, Zimbo Trio performs nice Jazzy versions of very popular songs of the Brazilian regional music - Tristeza do Jeca - and nice others Brazilian classics such like: Trocando em Miudos (Chico Buarque de Hollanda / Francis Hime ), Egberto Gismonti's Loro (obviously, a zecalouro's favorite), Chovendo na Roseira and Aguas de Março (Antonio Carlos Jobim).

The back cover has a cool handwriting message from Egberto Gismonti saying wonders about this LP. You can see the full version of this back cover here. Tracks include:

01 - Lôro (Egberto Gismonti)
02 - Serra da Boa Esperança (Lamartine Babo)
03 - Chovendo na Roseira (Tom Jobim)
04 - Luz (Djavan)
05 - Tristeza do Jeca (Angelino de Oliveira)
06 - Natureza Bela (Felisberto Martins / Henrique Mesquita)
07 - Águas de Março (Tom Jobim)
08 - Trocando Em Miúdos (Chico Buarque / Francis Hime)
09 - Aquele Um (Djavan)
10 - Atrás da Porta (Chico Buarque / Francis Hime)

Jorge Goulart - Primeira Audição (1958)

This post is really special for two reasons. It celebrates the 70th year anniversary of Radio Nacional do Rio de Janeiro, which is today, Tuesday, 12th September.

The second and main reason is to introduce to Loronixers Jorge Goulart, a great Brazilian singers that was a true hero on the golden ages of Radio Nacional.

Jorge Goulart came to zecalouro attention with an email message received from a great friend of Jorge Goulart asking for information. Since then, this friend and zecalouro exchanged several emails talking about Jorge, which is still active, with 80 years old. But what makes me feel really happy is that Jorge Goulart did not listen to this LP, Primeira Audição (1959) for years and zecalouro is now giving the chance to Jorge Goulart and all Loronixers around the world have this great experience.

Jorge Goulart, congratulations for the exceptional artist you are and for the great human example you give us with your will for life, happiness and determination to face all the challenges you have been through.

From zecalouro and all the great Loronix worldwide community.

Let's celebrate Jorge Goulart and Radio Nacional. Do not forget to read AMG Bios and tracklist.

01 - Além do Céu (Sidney Morais / Édson Borges)
02 - Ave Maria no Salgueiro (Jorge Morais / Rufino Gonçalves)
03 - As Pedras Se Encontram (René Bittencourt / Raul Sampaio)
04 - Pra Que Continuar (Mário Lago)
05 - Há 5 Minutos (Mário Lago)
06 - Chegou o Rei Bantu (Eloy Dutra / Alcyr Pires Vermelho)
07 - Palhaço (Ivon Cury)
08 - A Flor do Lodo (Zé Keti)
09 - Adeus Para Que (Mário Lago)
10 - Seja Qual For a Hora (Mário Lago)
11 - Suavemente (Mário Lago / Chocolate)
12 - Intriga (Ataulfo Alves)

Having his name strongly connected to the history of Brazilian Carnival, Jorge Goulart had a highly successful career with many hits. He also participated in several films, of which the most important is Rio 40 Graus (Nelson Pereira dos Santos) -- in the film, he sang "A Voz do Morro," a 1955 classic by Zé Kéti. Among many other historical pieces, he launched the timeless number (played innumerable times in every Carnival ball) "Cabeleira do Zezé" (João Roberto Kelly/Roberto Faissal) in 1964. Other Carnival smashes were "Mundo de Zinco" (Wilson Batista/Nássara, 1952), "Joga a Chave, Meu Amor" (J.R. Kelly/J. Rui), "Mané Fogueteiro" (João de Barro), and "Couro de Gato" (Grande Otelo/Rubens Silva/Popó). Goulart also is important as a singer who made composers of the samba schools like Elton Medeiros ("Exaltação a São Paulo"), Zé Kéti (the fundamental "A Voz do Morro," 1955), Candeia, and Silas de Oliveira known for a wider audience. Goulart debuted in his professional career interpreting songs by Custódio Mesquita, to whom he had been introduced by his father. Performing regularly at the Eldorado dancing, he soon began to work also at the Rádio Tupi. His first 78 rpm was released in 1945 due to Mesquita's influence as a director at Victor. After being dismissed from the recording company because of three albums that didn't happen, he became friends with Ary Barroso, who gave him his "Xangô" (with Fernando Lobo), his first hit. In the next year, Goulart opened in the successful show Um Milhão de Mulheres that was performed for two years. After a stint in Porto Alegre (Rio Grande do Sul), Goulart returned to Rio in 1949, recording "Miss Mangueira" (Wilson Batista/Antônio Almeida) for next year's Carnaval. His success with "Balzaqueana" (Wilson Batista/Nássara, 1951) yielded an invitation to join the prestigious Rádio Nacional, where he stayed for 15 years. Goulart was the first singer to interpret, in the nights of Rio, "Vingança," the big hit by Lupicínio Rodrigues that definitively established the composer, also provoking suicides. But as he was a Continental artist while Rodrigues had a contract of exclusiveness with RCA, the song was finally offered to Herivelto Martins. Among the many hits recorded by Goulart in the '50s, one of the most curious works was the samba "Exaltação a São Paulo" (Elton Medeiros), which had been presented in the Carnival of 1954. Evidencing new paths for Brazilian music, the samba was recorded for the program Um Milhão de Melodas by Goulart with the accompaniment of the orchestra of the Rádio Nacional (60 figures) and ten match boxes (an "instrument" typical of the informal samba meetings at bars and homes), everything written by Radamés Gnattali. Still in the '50s, Goulart toured the former U.S.S.R., China, and several European countries. He also launched the bossa nova march "Marcha da Quarta-Feira de Cinzas" (Carlos Lyra/Vinícius de Moraes) in February 1963.

Irmaos Coragem - Original Soundtrack (1970) TV Globo Soup Opera

This is something that zecalouro's mother will be very happy to see at Loronix next time she get together with her green bird. The Original Soundtrack of the TV Globo soup opera Irmaos Coragem (1970). A Loronix friend said that every TV Globo soup opera soundtrack deserves a careful listen. I can tell you, Irmaos Coragem is a really good OST, having something special on several aspects.

The production and arrangements are in charge of a "power trio", Waltel Branco, Luiz Eca and Dori Caymmi. The performers were the best available: Jair Rodrigues, Dori Caymmi, Denise Emmer, Maysa, Tim Maia, Maria Creuza, Luiz Eça and Joyce, making an unique version of Bachiana #5 of Heitor Villa Lobos, among others. Tracks include:

01 - Jair - Rodrigues - Irmãos Coragem (Nonato Buzar / Paulinho Tapajós)
02 - Luis Carlos Sa - Jerônimo (Luis Carlos Sá)
03 - Regina Duarte - Minhas Tardes de Sol (Paulinho Machado)
04 - Umas & Outras - Ondas Médias (Antônio Adolfo / Tibério Gaspar)
05 - A Banda das Cores Magicas - Porto Seguro (Dori Caymmi)
06 - Denise Emmer e Marcos Pitter - Coroado (Denise Emmer)
07 - Maysa - Nosso Caminho (Fred Falcão / Arnoldo Medeiros)
08 - Paulinho Tapajos - Irmãos Coragem (Nonato Buzar / Paulinho Tapajós)
09 - Tim Maia - João Coragem (Tim Maia / Cassiano)
10 - Maria Creuza - Flamengo Flamengo (Renato Luis Lobo)
11 - Luiz Eça - Branca (Danilo Caymmi / João Carlos Pádua)
12 - Eustáquio Sena - O Amor Maior (Eustáquio Sena)
13 - Joyce - Bachiana Nº 5 (Villa-Lobos)

Joao Roberto Kelly - Joao Roberto Kelly (1980)

Someone gave me a recommendation of Joao Roberto Kelly, Brazilian Samba composer and pianist. zecalouro cannot remember who made it, but here it is. Meet Joao Roberto Kelly with a nice 1980 self-titled LP. Joao Roberto Kelly has several classic carnaval songs, performed on every carnaval for decades. This LP shows Joao, his piano, orchestra and his compositions, a must for the fans of authentic Samba.

Check the track list below and AMG bio for Joao Roberto Kelly.

01 - Samba do Buraco Quente (João Roberto Kelly / João Marques)
02 - Depois da Novela (João Roberto Kelly)
03 - Barraquinho (João Roberto Kelly)
04 - Idéia Fixa (João Roberto Kelly)
05 - Procurando Ninho (Geraldo da Silva Barbosa / F. Terra)
06 - Tristeza de Uma Saudade (Nilton Coltrane)
07 - Inverno (João Roberto Kelly)
08 - Afinidade (João Roberto Kelly)
09 - Melancolia (João Roberto Kelly)
10 - Amor Proibido (João Roberto Kelly)
11 - Mistura (João Roberto Kelly)
12 - A Solidão Chegou (João Roberto Kelly / Geraldo Barbosa)

João Roberto Kelly became famous as a composer of Carnival marches like the all-time classic "Cabeleira do Zezé" (with Roberto Faissal, recorded by Jorge Goulart), "Mulata Iê-Iê-Iê" (recorded by Emilinha Borba), "Colombina Iê-Iê-Iê," and "Rancho da Praça Onze" (with Chico Anísio, recorded by Dalva de Oliveira). As a samba composer, he had hits with "Boato" (recorded by Elza Soares), "Mais do que Amor" (recorded by Jamelão), and "Dor de Cotovelo" (recorded by Elis Regina). Other originals of his recorded include "Gamação," "Brotinho Bossa Nova," "Samba do Teleco-teco," "Só Vou de Balanço," and "Ciuminho."

Kelly began to play the piano by ear at 11, taught by his mother and grandmother. In 1957, he made his professional debut writing the musical score to the play Sputnik no Morro. Also as a composer of soundtracks, he debuted on TV in 1963, participating in the most important comedy shows. Kelly also recorded several albums as an interpreter of his originals.

Baden Powell & Trio - The Frankfurt Opera Concert (1975)

Baden Powell is the best closing for this improvised instrumental day at Loronix. This is also a special post, since it was sent by the Loronixer d, which took his time to rip and pack this LP with nice results.

With the help of d, zecalouro proudly presents Baden Powell & Trio - The Frankfurt Opera Concert (1975). Baden Powell Trio is Baden Powell (playing a "Virtuoso" Guitar by luthier Dieter Hopf on this gig), Guy Pedersen (bass), Jorge Arena (drums) and Coaty de Oliveira (percussion).

The Master Tape was forgotten on archives for 17 years, being authorized by Baden Powell only in 1992 to be released. Tracks include:

01 - Valsa De Eurídice (Vinicius de Moraes)
02 - Prelúdio (Baden Powell)
03 - Asa Branca (Luis Gonzaga / Humberto Teixeira)
04 - A Lenda Do Abaeté (Dorival Caymmi)
05 - Se Todos Fossem Iguais A Você (Tom Jobim / Vinicius de Moraes)
06 - Samba Triste (Baden Powell / Billy Blanco)
07 - Petite Valse (Baden Powell)
08 - Imagens (Baden Powell)
09 - Pescador (Baden Powell)
10 - Valse Nº 1 (Baden Powell)
11 - Berceuse (Baden Powell)
12 - Variações Sobre Canto De Ossanha (Baden Powell / Vinicius de Moraes)
13 - Coisas Nº 1 (Moacir Santos)
14 - Marcha Escocesa (Baden Powell)